Shoreless recordings at its best. Review from smallfish;
So, the burning question on everybody’s lips will be ‘was it worth the wait?’ I have to say that the answer is a resounding ‘YES!’ 7 tracks from Brendon Moeller, Relapxych, Quantec, Bvdub, Fatih Tuter, Severence and Martin Schulte that not even once sound anything other than totally gorgeous. I’m glad that Shoreless has gone down this more overtly ambient route for the second compilation – I think it’s very becoming and certainly sits extremely happily within the virtual walls of Smallfish. Brendon Moeller kicks things off with, quite frankly, exactly the kind of deep ambient track that I’d give my right arm to be able to produce. It references both house and techno in the style of the chords but leaves it drifting in a beatless way throughout. I have to say that it’s pure quality through and through. Relapxych delivers a magnificently majestic and beautifully meditative work that flanges and phases its way through 10 magic minutes of pure bliss. Not to be outdone Quantec comes next with a simply luscious cut that’s all about the atmosphere. One of the only beat orientated tracks on the album it nevertheless has such a pure sense of space and form that it sits perfectly with the others. No need for lengthy introductions when it comes to Bvdub – he’s conjured up yet another awesome slice of ethereal, fluid and delicately emotional ambient bliss. Do I need to say any more? Didn’t think so. Just brilliant. Fatih Tuter drops next with the super-fine Drive. This is more of a Berlin-laced cut than the others with that slightly gritty sounding chord stab flavour that drives the background textures along. It almost threatens to dive into beats at times with its sub bass tone and hypnotic shaker percussion elements, but it always holds back – an object lesson in how to not overdo things. Class. Severence comes next and with an outstanding contribution to the first Selected Moments it’s perfectly fair to expect him to meet those standards here. He does. And then some. Stripping it back to the most reduced sound and allowing the filtering to create the movement, he’s really delving into some serious depths. A wicked track and definitely one for fans of the old school Chain reaction sound (not that I’m comparing, you understand. Just a reference for you). Finally, Martin Schulte finishes up the album. You may have enjoyed his release on Rednetic (I’ll need some more of those, by the way) – I know I did. This takes his penchant for the deepest dub techno and strips it free of beats completely. Layers of sound and texture almost drown you with their aquatic feel which, I have to say, is a deeply pleasing feeling indeed. So, there you have it. I don’t often break whole albums down like this, but I feel it’s important to tell you that it really is an exquisite piece of work. Comes in a metal tin and is limited to 110 copies by all accounts. That means I’m going to have to bug them to make some more I guess. Enjoy!
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